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Why I Write Horror

An Essay

Sarah Langan, New York University

Issue date: 6/1/08 Section: Spring 2008
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Long before the monsters come knocking, characters in horror start out pretty messed up. Who can forget Margaret White's dirty pillow speech? She's a lot less interested in protecting her daughter Carrie's chastity than in subverting her own copious sexual desires. Is it Carrie who implodes that house, or Margaret guiltily devouring her own need to get laid, and retroactively, the proof of it? And then there is Oates' creation, Enid Stevick. After losing her virginity to her pugilist uncle, she never stops bleeding, as if exhibiting pain by blood is the same as crying tears. My favorite is the self-destructive rage of The Shining's Jack Torrence. In the first three words of the novel he describes his prospective employer as an "officious little prick," and so begins his disastrous descent into madness. These characters don't hide their wounds or dashed expectations. They can't even shut their mouths long enough to silence their own screams. They wear their childishness like a badge of courage for all to see, as if they do not know they've made themselves into objects of derision. It is we as readers who squirm in humiliation on their behalf. We can't help it; we like them. More to the point, we see ourselves in them. They're the flawed adolescents we left behind at the bus circle years ago. But how can we let go of our own consciences?

When it works, horror gets as close to the veins of our emotions as any piece of literature is able. The monsters do not exist to frighten us, but to soothe us. Their existence reassures us that we are reading fiction. We've got a lifeline, in case the characters with which we are identifying drag us too far into uncomfortable emotional terrain. Our characters' screams are our own screams, but when we are done, we can relax, because none of it was real, right? Except, we can't stop thinking about the friends we met in those books. We hope that long after the stories ended, they lived happy lives. We hope they are okay. We hope we're okay, too.
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Vince Liaguno

posted 7/10/08 @ 8:19 AM EST

Sarah, your thoughts are insightful - as always. I especially appreciated the point you made about the cyclical nature of the horror genre and how its popularity - or lack thereof - is in direct proportion to what's going on in the world at any given time. (Continued…)

Michael Arnzen

posted 7/14/08 @ 11:04 PM EST

You've hit the cultural nail right on its soft head. It sure IS like the crisis-riddled 70s all over again, isn't it? Let's just hope the movies (as well as the books, obviously) that come out of it are just as good. (Continued…)

F. Paul Wilson

posted 7/15/08 @ 10:01 AM EST

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Too true, Sarah -- especially that last -- and I don't think I've ever heard it put so well. (Continued…)

(1 reply)   Details   Reply to this comment

Glenn Chan

posted 8/25/08 @ 5:16 PM EST

I don't know if it's so much that we are "in crisis". The people on the losing side of these wars- those are the people in crisis. Life is pretty good right now. (Continued…)

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